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11
THU
-
7
SAT
J. Stacey Grayson: 'Ancestral Remix: Fragments, Reflections, and Rhythms' art exhibit
December 11, 2025 – February 7, 2026
12:00 AM - 12:00 AM
One Margaret Mitchell Atlanta 30303
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
2026 January
7
WED
-
1
FRI
Spelman College Museum: 'Repossessions' exhibition
January 7 – May 1, 2026
12:00 AM - 12:00 AM
440 Westview Drive, Atlanta, GA 30314, USA
Description
“Repossessions” presents works by artist Chelle Barbour, Marcus Brown, Rodney Ewing, Kenyatta A.C. Hinkle (Olomidara Yaya), Curtis Patterson and to be unveiled in the Spring of 2026, a new artwork from Shanequa Gay.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
Description
“Repossessions” presents works by artist Chelle Barbour, Marcus Brown, Rodney Ewing, Kenyatta A.C. Hinkle (Olomidara Yaya), Curtis Patterson and to be unveiled in the Spring of 2026, a new artwork from Shanequa Gay.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
21
WED
-
10
SUN
Children's Museum of Atlanta Welcomes 'AIM HIGH' Tuskegee Airmen Exhibit
January 21 – May 10, 2026
10 am - 4:30 pm
275 Centennial Olympic Park Dr NW Atlanta, GA 30313
Description
Children’s Museum of Atlanta will debut its first featured exhibit of 2026 “AIM HIGH: Soaring with the Tuskegee Airmen,” inviting children and families to explore the history of the Tuskegee Airmen while discovering the science, imagination and future of flight. On Saturday, Jan. 17, during a weekend dedicated to reflection, service and the pursuit of equality, AIM HIGH highlights the achievements of the first Black military aviators in the U.S. Armed Forces – trailblazers who defied discrimination, broke barriers and helped change the course of American history. The limited-time experience will be featured at the Museum through Sunday, May 10.
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
Description
Children’s Museum of Atlanta will debut its first featured exhibit of 2026 “AIM HIGH: Soaring with the Tuskegee Airmen,” inviting children and families to explore the history of the Tuskegee Airmen while discovering the science, imagination and future of flight. On Saturday, Jan. 17, during a weekend dedicated to reflection, service and the pursuit of equality, AIM HIGH highlights the achievements of the first Black military aviators in the U.S. Armed Forces – trailblazers who defied discrimination, broke barriers and helped change the course of American history. The limited-time experience will be featured at the Museum through Sunday, May 10.
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
22
THU
-
28
SAT
Stitching Our Story: A Celebration of Black History
January 22 – February 28, 2026
Thursday – Saturday: 10:00 am – 4:00 pm
125 North Main Street, Jonesboro, GA 30236, USA
Description
Visit Stitching Our Story: A Celebration of Black History Quilt Show, a vibrant celebration of these powerful narratives brought to life through the artistry of quilting. Celebrate creativity and culture in this inspiring, FREE event open to everyone, proudly presented by See Clayton County.
Description
Visit Stitching Our Story: A Celebration of Black History Quilt Show, a vibrant celebration of these powerful narratives brought to life through the artistry of quilting. Celebrate creativity and culture in this inspiring, FREE event open to everyone, proudly presented by See Clayton County.
2026 February
1
SUN
2026 Black History Month Celebration
February 1, 2026
02:00 PM - 05:00 PM
246 Perimeter Center Pkwy, NE, Atlanta, GA 30346, USA
Description
Kick off Black History Month with this annual event through performances, exhibits, and vendors. Drop in or enjoy the entire event!
The 2026 Black History Month Celebration will be held on February 1st, 2026 at the Marriott Perimeter location from 2:00-5:00 PM. Our emcee will be Ashli Lincoln from WSB-TV.
The 2026 Black History Month Celebration will be held on February 1st, 2026 at the Marriott Perimeter location from 2:00-5:00 PM. Our emcee will be Ashli Lincoln from WSB-TV.
Description
Kick off Black History Month with this annual event through performances, exhibits, and vendors. Drop in or enjoy the entire event!
The 2026 Black History Month Celebration will be held on February 1st, 2026 at the Marriott Perimeter location from 2:00-5:00 PM. Our emcee will be Ashli Lincoln from WSB-TV.
The 2026 Black History Month Celebration will be held on February 1st, 2026 at the Marriott Perimeter location from 2:00-5:00 PM. Our emcee will be Ashli Lincoln from WSB-TV.
7
SAT
J. Stacey Grayson's "Ancestral Remix" Closing Reception & Artist Talk
February 7, 2026
02:00 PM - 04:00 PM
One Margaret Mitchell Atlanta 30303
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
22
SUN
"Short & Sweet With Tricia Lee" live podcast, featuring Myleik Teele
February 22, 2026
03:00 PM - 06:00 PM
3005 Peachtree Rd, Atlanta, GA 30305, USA
Description
Short & Sweet with Tricia Lee is an intimate live podcast and storytelling experience that centers thoughtful conversation, honest storytelling, and shared reflection. For this special Atlanta edition, Tricia Lee sits down with local leader and women's advocate Myleik Teele for a powerful dialogue exploring purpose, identity, ambition, resilience, and legacy.
The conversation offers a rare, candid look into the realities Black women face while building, leading, and sustaining influence. Topics will include:
- What it takes to own and lead in male-dominated spaces
- Navigating high stakes careers, power, and credibility as a woman
- The realities of building a serious business while having one’s life and career shared publicly for entertainment
- How Myleik protects her vision, voice, and values while remaining visible and influential.
At its core, Short & Sweet is about pouring into women - particularly those who are carrying a great deal while striving for alignment, impact, and legacy. The experience affirms that women are enough as they are, while offering space to reflect on what it truly means to lead with intention.
The conversation offers a rare, candid look into the realities Black women face while building, leading, and sustaining influence. Topics will include:
- What it takes to own and lead in male-dominated spaces
- Navigating high stakes careers, power, and credibility as a woman
- The realities of building a serious business while having one’s life and career shared publicly for entertainment
- How Myleik protects her vision, voice, and values while remaining visible and influential.
At its core, Short & Sweet is about pouring into women - particularly those who are carrying a great deal while striving for alignment, impact, and legacy. The experience affirms that women are enough as they are, while offering space to reflect on what it truly means to lead with intention.
Description
Short & Sweet with Tricia Lee is an intimate live podcast and storytelling experience that centers thoughtful conversation, honest storytelling, and shared reflection. For this special Atlanta edition, Tricia Lee sits down with local leader and women's advocate Myleik Teele for a powerful dialogue exploring purpose, identity, ambition, resilience, and legacy.
The conversation offers a rare, candid look into the realities Black women face while building, leading, and sustaining influence. Topics will include:
- What it takes to own and lead in male-dominated spaces
- Navigating high stakes careers, power, and credibility as a woman
- The realities of building a serious business while having one’s life and career shared publicly for entertainment
- How Myleik protects her vision, voice, and values while remaining visible and influential.
At its core, Short & Sweet is about pouring into women - particularly those who are carrying a great deal while striving for alignment, impact, and legacy. The experience affirms that women are enough as they are, while offering space to reflect on what it truly means to lead with intention.
The conversation offers a rare, candid look into the realities Black women face while building, leading, and sustaining influence. Topics will include:
- What it takes to own and lead in male-dominated spaces
- Navigating high stakes careers, power, and credibility as a woman
- The realities of building a serious business while having one’s life and career shared publicly for entertainment
- How Myleik protects her vision, voice, and values while remaining visible and influential.
At its core, Short & Sweet is about pouring into women - particularly those who are carrying a great deal while striving for alignment, impact, and legacy. The experience affirms that women are enough as they are, while offering space to reflect on what it truly means to lead with intention.