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11
THU
-
7
SAT
J. Stacey Grayson: 'Ancestral Remix: Fragments, Reflections, and Rhythms' art exhibit
December 11, 2025 – February 7, 2026
12:00 AM - 12:00 AM
One Margaret Mitchell Atlanta 30303
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
2026 January
7
WED
-
1
FRI
Spelman College Museum: 'Repossessions' exhibition
January 7 – May 1, 2026
12:00 AM - 12:00 AM
440 Westview Drive, Atlanta, GA 30314, USA
Description
“Repossessions” presents works by artist Chelle Barbour, Marcus Brown, Rodney Ewing, Kenyatta A.C. Hinkle (Olomidara Yaya), Curtis Patterson and to be unveiled in the Spring of 2026, a new artwork from Shanequa Gay.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
Description
“Repossessions” presents works by artist Chelle Barbour, Marcus Brown, Rodney Ewing, Kenyatta A.C. Hinkle (Olomidara Yaya), Curtis Patterson and to be unveiled in the Spring of 2026, a new artwork from Shanequa Gay.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
Using a variety of visual strategies, the artworks commissioned for “Repossessions” contribute to viewers’ understanding of the long aftermath of enslavement and the need for envisioning reparation. The title of the exhibition names the process of giving Black artists possession of historical objects and their facsimiles, allowing them to “repossess” them from white family archives of enslavement, and alter their existence.
“Repossessions” is an indictment of the history of human ownership and its violent, multigenerational, and international legacy that demands to be confronted and reckoned with to this day.
“Repossessions” was commissioned by The Reparations Project and is curated by Bridget R. Cooks, Ph.D., independent curator, scholar, and professor of African American studies and art history at the University of California, Irvine. The exhibition is an initiative of The Reparations Project in collaboration with Reparations4Slavery and originated at the California African American Museum (CAAM). The presentation at the Spelman College Museum of Fine Art is curated by Brandy Pettijohn, Ph.D. and made possible by the generous support of Sarah Eisner and the Friends of the Museum.
21
WED
-
10
SUN
Children's Museum of Atlanta Welcomes 'AIM HIGH' Tuskegee Airmen Exhibit
January 21 – May 10, 2026
10 am - 4:30 pm
275 Centennial Olympic Park Dr NW Atlanta, GA 30313
Description
Children’s Museum of Atlanta will debut its first featured exhibit of 2026 “AIM HIGH: Soaring with the Tuskegee Airmen,” inviting children and families to explore the history of the Tuskegee Airmen while discovering the science, imagination and future of flight. On Saturday, Jan. 17, during a weekend dedicated to reflection, service and the pursuit of equality, AIM HIGH highlights the achievements of the first Black military aviators in the U.S. Armed Forces – trailblazers who defied discrimination, broke barriers and helped change the course of American history. The limited-time experience will be featured at the Museum through Sunday, May 10.
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
Description
Children’s Museum of Atlanta will debut its first featured exhibit of 2026 “AIM HIGH: Soaring with the Tuskegee Airmen,” inviting children and families to explore the history of the Tuskegee Airmen while discovering the science, imagination and future of flight. On Saturday, Jan. 17, during a weekend dedicated to reflection, service and the pursuit of equality, AIM HIGH highlights the achievements of the first Black military aviators in the U.S. Armed Forces – trailblazers who defied discrimination, broke barriers and helped change the course of American history. The limited-time experience will be featured at the Museum through Sunday, May 10.
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
“Opening Aim High on such an important weekend is especially meaningful,” said Edwin Link, executive director of Children’s Museum of Atlanta. “The Tuskegee Airmen embody many of the values Dr. King championed like resilience, excellence and the belief that opportunity should never be limited by race. Through play-based learning, this exhibit helps children engage with that history in an empowering, joyful way while seeing themselves in new roles and possibilities.”
Throughout the space, young aviators will explore a variety of interactive experiences, including:
· Cockpit Flight Trainer: Step inside a life-size cockpit complete with real airplane seats and immersive video views of takeoff and landing, designed for dramatic play.
· Things That Fly Praxinoscope: Discover an early form of animation as images of flying objects come to life through rotating visuals.
· Land the Plane Maze: Inspired by air traffic control radar, children guide a plane safely to its landing strip using balance and coordination.
· Imagination Mirrors: Pressure-activated mirrors reveal images of aircraft, helping kids see themselves in aviation-related roles.
· Wearable Wings: Build and wear airplane wings or a rocket ship to imagine soaring through the sky.
The installation also features “Black Wings: American Dreams of Flight,” organized by the Smithsonian Institution Traveling Exhibition Service (SITES) in collaboration with the Smithsonian’s National Air and Space Museum, with generous support from the MetLife Foundation. This companion exhibition traces the contributions of African Americans in aviation – from early pioneers of the 1910s to today’s astronauts – celebrating achievement, innovation and the ongoing pursuit of equity in the skies and beyond.
Through hands-on experiences, the exhibit connects their story to modern STEAM concepts, empowering young learners to see themselves as innovators, leaders and problem-solvers. Created by Children’s Museum of Pittsburgh in partnership with Hosanna House, this exhibit blends aviation history with interactive play inspired by the real tools and tasks of flying. Children of all ages are encouraged to imagine themselves as pilots, engineers and dreamers, while learning that perseverance, courage and curiosity can help them soar.
Images: HERE
22
THU
-
1
MON
Ascension: Rise of the Black Quarterback
January 22 – June 1, 2026
10am-5pm
250 Marietta St NW, Atlanta, GA 30303, USA
Description
The College Football Hall of Fame proudly presents Ascension: Rise of the Black Quarterback, a new exhibition examining the historic journey of Black quarterbacks in college football as part of The Hall's Black History Month programming.
From breaking barriers and challenging stereotypes to leading the game with innovation and excellence, Ascension highlights generations of players, coaches, and programs—including iconic figures from HBCUs—who reshaped the sport.
Featuring immersive storytelling, rare artifacts, and inspiring moments, the exhibition celebrates the legacy and impact of Black quarterbacks on today’s game, thanks to collaboration with Kia and Coca-Cola.
From breaking barriers and challenging stereotypes to leading the game with innovation and excellence, Ascension highlights generations of players, coaches, and programs—including iconic figures from HBCUs—who reshaped the sport.
Featuring immersive storytelling, rare artifacts, and inspiring moments, the exhibition celebrates the legacy and impact of Black quarterbacks on today’s game, thanks to collaboration with Kia and Coca-Cola.
Description
The College Football Hall of Fame proudly presents Ascension: Rise of the Black Quarterback, a new exhibition examining the historic journey of Black quarterbacks in college football as part of The Hall's Black History Month programming.
From breaking barriers and challenging stereotypes to leading the game with innovation and excellence, Ascension highlights generations of players, coaches, and programs—including iconic figures from HBCUs—who reshaped the sport.
Featuring immersive storytelling, rare artifacts, and inspiring moments, the exhibition celebrates the legacy and impact of Black quarterbacks on today’s game, thanks to collaboration with Kia and Coca-Cola.
From breaking barriers and challenging stereotypes to leading the game with innovation and excellence, Ascension highlights generations of players, coaches, and programs—including iconic figures from HBCUs—who reshaped the sport.
Featuring immersive storytelling, rare artifacts, and inspiring moments, the exhibition celebrates the legacy and impact of Black quarterbacks on today’s game, thanks to collaboration with Kia and Coca-Cola.
22
THU
-
28
SAT
Stitching Our Story: A Celebration of Black History
January 22 – February 28, 2026
Thursday – Saturday: 10:00 am – 4:00 pm
125 North Main Street, Jonesboro, GA 30236, USA
Description
Visit Stitching Our Story: A Celebration of Black History Quilt Show, a vibrant celebration of these powerful narratives brought to life through the artistry of quilting. Celebrate creativity and culture in this inspiring, FREE event open to everyone, proudly presented by See Clayton County.
Description
Visit Stitching Our Story: A Celebration of Black History Quilt Show, a vibrant celebration of these powerful narratives brought to life through the artistry of quilting. Celebrate creativity and culture in this inspiring, FREE event open to everyone, proudly presented by See Clayton County.
2026 February
4
WED
-
8
SUN
International Association of Blacks in Dance's 36th Annual Conference and Festival
February 4-8, 2026
08:00 AM - 06:00 PM
265 Peachtree Street NE, Atlanta, GA 30303, USA
Description
The International Association of Blacks in Dance (IABD), which recognizes dance from Black and African ancestry, is hosting the 36th conference and festival in Atlanta Feb. 4-8.
Making its debut in Atlanta, the five-day event - themed "From Soul to Sole: The Black Dance Family Reunion" - features performances, workshops, panels, screenings and auditions. Asanta Sana, its signature gala, takes place on Saturday in the hotel ballroom.
Additional programming will occur at Rialto Center for the Arts, Ballethnic Dance Company, Spelman College, Atlanta Dance Company and Moving in the Spirit.
Tickets and conference registration are still available at links provided.
Making its debut in Atlanta, the five-day event - themed "From Soul to Sole: The Black Dance Family Reunion" - features performances, workshops, panels, screenings and auditions. Asanta Sana, its signature gala, takes place on Saturday in the hotel ballroom.
Additional programming will occur at Rialto Center for the Arts, Ballethnic Dance Company, Spelman College, Atlanta Dance Company and Moving in the Spirit.
Tickets and conference registration are still available at links provided.
Description
The International Association of Blacks in Dance (IABD), which recognizes dance from Black and African ancestry, is hosting the 36th conference and festival in Atlanta Feb. 4-8.
Making its debut in Atlanta, the five-day event - themed "From Soul to Sole: The Black Dance Family Reunion" - features performances, workshops, panels, screenings and auditions. Asanta Sana, its signature gala, takes place on Saturday in the hotel ballroom.
Additional programming will occur at Rialto Center for the Arts, Ballethnic Dance Company, Spelman College, Atlanta Dance Company and Moving in the Spirit.
Tickets and conference registration are still available at links provided.
Making its debut in Atlanta, the five-day event - themed "From Soul to Sole: The Black Dance Family Reunion" - features performances, workshops, panels, screenings and auditions. Asanta Sana, its signature gala, takes place on Saturday in the hotel ballroom.
Additional programming will occur at Rialto Center for the Arts, Ballethnic Dance Company, Spelman College, Atlanta Dance Company and Moving in the Spirit.
Tickets and conference registration are still available at links provided.
7
SAT
J. Stacey Grayson's "Ancestral Remix" Closing Reception & Artist Talk
February 7, 2026
02:00 PM - 04:00 PM
One Margaret Mitchell Atlanta 30303
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
Description
About J. Stacey Grayson:
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
J. Stacey Grayson is a multidisciplinary visual artist whose work dwells at the intersection of thought and beauty—where form meets function, and art becomes both a question and an answer. His creations are immersive invitations: to reflect, to feel, to connect.
In a remarkably short span, his work has earned widespread recognition. In 2024, he was selected as an artist-in-residence at the Fulton County Main Library, an opportunity that expanded both his vision and visibility. His art has been featured in a range of exhibitions for AAFTA, Strange Fruits Art Center, the ArtsXchange “Reclaimed Visions: The Art of Upcycling,” and most recently, the prestigious South Cobb Arts Alliance National Show—where he received Meritorious accolades. He was also honored with 2nd place People’s Choice Award for his breathtaking collage “Naomi” at the Roswell Juneteenth Exhibition at the Roswell Cultural Arts Center.
About the exhibit:
"Ancestral Remix: Fragments, Reflections, and Rhythms is a visual meditation on memory, legacy, and transformation. Through layered mixed media works, I re-assemble the tossed out and overlooked—fabric, wood, paper, found objects—into vibrant compositions that echo the rhythms of my African-American heritage. Each piece serves as a remix of ancestral energy, where the past meets the present in texture, color, and spirit. I am proposing a solo exhibition that explores the convergence of memory, culture, and imagination through mixed media compositions—works that are as layered in texture as they are in meaning. Each piece serves as both a mirror and a window: reflecting elements of personal and collective experience, while inviting viewers to consider new ways of seeing the familiar."
From the artist:
"My mixed media work is a tribute to heritage, memory, and the power of everyday materials. Rooted in African-American culture, my pieces weave together bits and pieces of this and that to create a new “whole” (fragments)—to honor the past and reflect the present. My works are layered stories, born from the spirit of resilience (reflections) – “making something out of nothing” – and the beauty found in what’s often overlooked, discarded or forgotten (rhythms) – “one man’s trash is another’s treasure.” My creative practice is grounded in the belief that visual art is not merely decorative—it is a living, breathing form of storytelling. My materials range from found objects and fiber to paint and paper, allowing for rich, tactile narratives that connect past to present, personal to universal.
7
SAT
Atlanta Hawks Eighth Annual HBCU Night
February 7, 2026
07:30 PM
One State Farm Drive, GA, 30303, US
Description
The Atlanta Hawks host their eighth annual HBCU Night at the award-winning State Farm Arena on Saturday, Feb. 7 with a tipoff against Charlotte at 7:30p.m.
This evening will honor and celebrate the educational achievements and distinctive culture of over 100 Historically Black Colleges and Universities (HBCUs), which were established as institutions of higher education for African Americans. All fans in attendance will receive a special rally towel courtesy of Chase.
To secure tickets for the game, visit Hawks.com/tickets/
This evening will honor and celebrate the educational achievements and distinctive culture of over 100 Historically Black Colleges and Universities (HBCUs), which were established as institutions of higher education for African Americans. All fans in attendance will receive a special rally towel courtesy of Chase.
To secure tickets for the game, visit Hawks.com/tickets/
Description
The Atlanta Hawks host their eighth annual HBCU Night at the award-winning State Farm Arena on Saturday, Feb. 7 with a tipoff against Charlotte at 7:30p.m.
This evening will honor and celebrate the educational achievements and distinctive culture of over 100 Historically Black Colleges and Universities (HBCUs), which were established as institutions of higher education for African Americans. All fans in attendance will receive a special rally towel courtesy of Chase.
To secure tickets for the game, visit Hawks.com/tickets/
This evening will honor and celebrate the educational achievements and distinctive culture of over 100 Historically Black Colleges and Universities (HBCUs), which were established as institutions of higher education for African Americans. All fans in attendance will receive a special rally towel courtesy of Chase.
To secure tickets for the game, visit Hawks.com/tickets/
7
SAT
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8
SUN
The Jheri Curl
February 7-8, 2026
10:00 PM - 02:00 AM
725 Echo St NW, Atlanta, GA 30318, USA
Description
The Jheri Curl is a night of all quintessential juicy jams from the 1980s:
On Feb. 7, com to Westside Motor Lounge for a night of Blac soul, funk, boogie, hip-hop & disco grooves.
DJs Nick the Quick and Sir Daniel are ready to get in their bag for the funkiest, baddest 80s jams to make y'all move
If you're looking for a DANCE party, this one is for you! Tickets are still available at the link provided.
On Feb. 7, com to Westside Motor Lounge for a night of Blac soul, funk, boogie, hip-hop & disco grooves.
DJs Nick the Quick and Sir Daniel are ready to get in their bag for the funkiest, baddest 80s jams to make y'all move
If you're looking for a DANCE party, this one is for you! Tickets are still available at the link provided.
Description
The Jheri Curl is a night of all quintessential juicy jams from the 1980s:
On Feb. 7, com to Westside Motor Lounge for a night of Blac soul, funk, boogie, hip-hop & disco grooves.
DJs Nick the Quick and Sir Daniel are ready to get in their bag for the funkiest, baddest 80s jams to make y'all move
If you're looking for a DANCE party, this one is for you! Tickets are still available at the link provided.
On Feb. 7, com to Westside Motor Lounge for a night of Blac soul, funk, boogie, hip-hop & disco grooves.
DJs Nick the Quick and Sir Daniel are ready to get in their bag for the funkiest, baddest 80s jams to make y'all move
If you're looking for a DANCE party, this one is for you! Tickets are still available at the link provided.
12
THU
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1
FRI
Uncommon Nature: The Abstractions of Freddie Styles
February 12 – May 1, 2026
All day
223 James P. Brawley Drive, SW, Atlanta, GA 30314, USA
Description
A Georgia native born in 1944, Freddie Styles remembers the racial divide of the Jim Crow South, when poverty and racial inequality defined his early life. His experiences working and being in nature fueled his artistic creativity, and his passion for gardening now serves as inspiration for his paintings.
Styles's abstract works conjure impressions of organic vegetation and the natural environment. His unique process of layering crinkled fax paper and metallic inks creates texture, depth, and luminosity in his abstract landscapes.
For six decades, Styles has been engaged in the visual arts as both an abstract artist and art curator. His works have been shown in solo and group exhibitions and are held in numerous private and public collections, including those of the National Gallery of Art and the National Museum of African American History and Culture in Washington, D.C.
Styles's abstract works conjure impressions of organic vegetation and the natural environment. His unique process of layering crinkled fax paper and metallic inks creates texture, depth, and luminosity in his abstract landscapes.
For six decades, Styles has been engaged in the visual arts as both an abstract artist and art curator. His works have been shown in solo and group exhibitions and are held in numerous private and public collections, including those of the National Gallery of Art and the National Museum of African American History and Culture in Washington, D.C.
Description
A Georgia native born in 1944, Freddie Styles remembers the racial divide of the Jim Crow South, when poverty and racial inequality defined his early life. His experiences working and being in nature fueled his artistic creativity, and his passion for gardening now serves as inspiration for his paintings.
Styles's abstract works conjure impressions of organic vegetation and the natural environment. His unique process of layering crinkled fax paper and metallic inks creates texture, depth, and luminosity in his abstract landscapes.
For six decades, Styles has been engaged in the visual arts as both an abstract artist and art curator. His works have been shown in solo and group exhibitions and are held in numerous private and public collections, including those of the National Gallery of Art and the National Museum of African American History and Culture in Washington, D.C.
Styles's abstract works conjure impressions of organic vegetation and the natural environment. His unique process of layering crinkled fax paper and metallic inks creates texture, depth, and luminosity in his abstract landscapes.
For six decades, Styles has been engaged in the visual arts as both an abstract artist and art curator. His works have been shown in solo and group exhibitions and are held in numerous private and public collections, including those of the National Gallery of Art and the National Museum of African American History and Culture in Washington, D.C.